Goethe sought to show that, as a turbid medium, the prism was an integral factor in the arising of colour.
2.
In it, he contentiously characterized colour as arising from the dynamic interplay of light and darkness through the mediation of a turbid medium.
3.
For Goethe the turbid medium is the atmosphere ( airy realm ), for Hahnemann it is the living organism ( fluid or etheric realm ).
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As the photon interacts in the turbid medium, it will deposit weight due to absorption and the remaining weight will be scattered to other parts of the medium.
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If it is scattered from a rough surface or by a turbid medium, like clouds, then its components can be randomly altered in phase, making the beam unpolarized.
6.
In Hahnemann s distinction between the two sides of the " Lebenskraft " the sustentive or " Erhaltungskraft " and the generative or " Erzeugungskraft " ( " Bildungstrieb " ), we find the polar logic identified in Goethe s " Chromatology " the sufferings and deeds of light via a turbid medium, in the struggle between light energy ( " Licht " ) and the now identified'dark'energy ( " Finsternis " ).
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